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Author: Jason Roeder, Mike Sacks
For 20 years, Stephen Colbert distinguished truth from truthiness
The Colbert Report in December 2014.’/>
The Late Show with Stephen Colbert ends on Thursday. Here’s how he has evolved to meet the moment.
(Image credit: Andrew Harrer)
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Author: Eric Deggans
Cineplexity: the best and worst of wedding movies
In this week’s Cineplexity, where we examine life’s complexities by talking about cinema, we’re taking on the best and worst of the beloved trope of “weddings in the movies.”
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Author: Marc Rivers
Harrison Ford gets an honorary doctorate and addresses the class of 2026
Harrison Ford now has an honorary doctorate from Arizona State University, and his speech was cheered by the ASU Class of 2026.
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Author: Ayesha Rascoe
Sunday Puzzle: Between the lines
NPR’s Ayesha Rascoe plays the puzzle with WAMU listener Erin Kealiher and Weekend Edition Puzzlemaster Will Shortz.
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Author: Will Shortz
Bulgarian banger ‘Bangaranga’ bags country its 1st Eurovision win
Bulgaria was not among the favorites to win. But performer Dara’s catchy, banging anthem bested 24 other nations at the 70th edition of the international singing extravaganza.
(Image credit: Helmut Fohringer)
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Author: Chloe Veltman
‘Wait Wait’ for May 16. 2026: With Not My Job guest Ken Jennings
This week, Wait Wait is live in Chicago with host Peter Sagal, special guest Ken Jennings and panelists Tom Bodett, Joyelle Nicole Johnson, and Faith Salie
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Library of Congress unveils new children’s exhibit with interactive stations
A new exhibit at the Library of Congress brings children face to face with primary sources, introducing a new generation to the slow-burn thrill of researching history.
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British musical ‘Battle of Cable Street’ about 1936 anti-fascist uprising debuts in NYC
Ninty years ago, a mostly Jewish, working class community in London came together to resist a fascist march through their neighborhood. Now, a new musical looks back at the “Battle of Cable Street.”
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How Tamara Rojo is remaking ballet
From championing women choreographers to upending classics, the former Royal Ballet star turned artistic director of the San Francisco Ballet doesn’t play it safe.
(Image credit: Karolina Kuras)
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Author: Chloe Veltman
