
Author Nicholas Eames’s series The Band is a joyous mashup of classic rock and fantasy tropes — because if there were monsters, why wouldn’t there be bands of celebrity mercenaries to slay them?
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Author Nicholas Eames’s series The Band is a joyous mashup of classic rock and fantasy tropes — because if there were monsters, why wouldn’t there be bands of celebrity mercenaries to slay them?
(Image credit: )
Rachel Martin talks to director Damien Chazelle about his film First Man, which retells Neil Armstrong’s dramatic story leading up to the Apollo 11 flight that landed him on the moon.
In writer/director Drew Goddard’s film, several strangers converge at a casino-motel filled with dark passageways and two-way mirrors — a lot like the film’s satisfyingly pulpy, B-movie plot.
(Image credit: John P. Johnson/Twentieth Century Fox)
A photographer confronts the childhood discomfort she felt wearing traditional Mustangi clothing in public by traveling across the country and posing for portraits in them.
(Image credit: Tsering Bista )
In a new take on Moliere’s Tartuffe, the original production’s “dangerous priest” villain is now portrayed as a manipulative Imam who preys on a Muslim family.