New York Wineries Sued over Website Accessibility for Visually Impaired (Wine Spectator)
More than a dozen New York State wineries on Long Island and in the Hudson Valley are facing federal lawsuits, with plaintiffs claiming that the wineries’ websites violate the Americans with Disabilities Act (ADA) by not being accessible for the visually impaired.
The lawsuits, filed earlier this month by the Brooklyn-based Marks Law Firm on behalf of its visually-impaired client Kathy Wu, claim that the lack of website services like screen-reading software by 15 New York wineries, including Wölffer Estate, Bedell Cellars and Channing Daughters, discriminates against disabled customers.
“Approximately 8.1 million people in the United States are visually impaired, including 2 million who are blind,” the complaints state, based on data from the U.S. Census Bureau. “Approximately 400,000 visually impaired persons live in the state of New York.”
Representatives from Wölffer Estate, Bedell Cellars and Channing Daughters declined to comment on the pending litigation, as did staff at the Marks Law Firm.
Lawsuit Reform Alliance public affairs manager Adam Morey said he’s noticed an increasing trend of ADA Title III federal lawsuits filed against wineries and other small businesses in the past year. A study conducted in July by the Seyfarth Shaw Law Firm found that ADA lawsuits involving website accessibility hit record numbers this year—4,965 federal ADA Title III lawsuits were filed in the first six months of 2018 alone, according to the report, compared to the 7,663 that were filed for all of 2017. Of those 2018 suits, 1,026 were filed in New York.
“There aren’t clear guidelines from the [U.S.] Department of Justice on how the ADA applies to the Internet,” Morey told Wine Spectator. He believes law firms are taking advantage of the unclear regulations. “New York has quickly become the top jurisdiction for these lawsuits.”
A Department of Justice spokesman told Wine Spectator that the department is still evaluating whether specific web-accessibility standards are necessary to ensure compliance with the ADA. More recently, the department has opted to refer to the Web Content Accessibility Guidelines created by the World Wide Web Consortium (W3C) as a compatible set of online-compliance standards.
New York courts have adapted and ordered businesses to comply with those standards in similar cases, such as a 2017 lawsuit involving Blick Art Materials, LLC and a visually-impaired customer. The guidelines suggest websites implement features like screen-reading software as well as make color, word spacing and text size customizable to website visitors.
Chris Danielsen, director of public relations for the National Federation of the Blind, offers another solution. He recommends that wineries and other businesses with online platforms work directly with visually-impaired consumers.
“It basically incorporates human testing into the process of making a website accessible,” Danielsen said. “We are willing to work with companies on this, so that the website is not only technically accessible, but it’s actually working well for blind consumers.”
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Butternut Squash Carbonara
If you love carbonara, you will love this! It is amazingly creamy and loaded with crispy pancetta and fried sage leaves!
So we lost the World Series.
We’re absolutely devastated. Even though we kind of knew that the Red Sox was going to win.
One can only be so hopeful, right?
So don’t mind me. I’m drowning my sorrows, all of my sorrows, in this seasonal carbonara.
It has all the crispy pancetta one can need with the best part ever:
Fried freaking sage leaves.
Yes, yes, yes. And the sauce is so incredibly rich and creamy with the help of the butternut squash puree.
Helpful tip: you can actually use canned butternut squash puree, which cuts the prep time down by an hour at least!
Butternut Squash Carbonara
If you love carbonara, you will love this! It is amazingly creamy and loaded with crispy pancetta and fried sage leaves!
Ingredients:
- 12 ounces spaghetti
- 4 ounces diced pancetta
- 2 tablespoons olive oil
- 1/3 cup fresh sage leaves
- 3 cloves garlic, minced
- 1 shallot, minced
- 1 cup butternut squash puree
- 1/2 cup freshly grated Parmesan
- 1 large egg, lightly beaten
- Kosher salt and freshly ground black pepper, to taste
Directions:
- In a large pot of boiling salted water, cook pasta according to package instructions; reserve 1 cup water and drain well.
- Heat a large skillet over medium high heat. Add pancetta and cook until brown and crispy, about 4-6 minutes; set aside. Reserve excess fat in the skillet.
- Heat olive oil with reserved excess fat. Add sage and cook until crisped, about 3-5 seconds; set aside.
- Add garlic and shallot, and cook, stirring frequently, until fragrant, about 2 minutes.
- Stir in butternut squash puree and 1/2 cup reserved pasta water. Bring to a boil; reduce heat and simmer until slightly thickened, about 3-5 minutes. Reduce heat to low.
- Working quickly, stir in pasta, Parmesan and egg, and gently toss to combine; season with salt and pepper, to taste. Add additional reserved pasta water, one tablespoon at a time, until desired consistency is reached.
- Serve immediately, topped with pancetta and sage.
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Perfect Match Recipe: New York Strip Steak with Buttered Onions & Chile Skillet Broccoli Rabe (Wine Spectator)
“One of the great joys is knowing things,” says chef Linton Hopkins. “It’s almost like peeling back an onion. I want to know things. I’m a curious person.”
In addition to overseeing six Atlanta restaurants, including C. Ellet’s steak house and the Wine Spectator Best of Award of Excellence–winning Restaurant Eugene, Hopkins has made it his mission to learn all he can about the beef industry. His goal is ambitious: to pioneer the first Kobe-grade beef program in Georgia.
If Hopkins, with the help of the University of Georgia and the Georgia Department of Agriculture, can succeed in implementing the extremely high standards for top-grade Wagyu steak within Georgia, he hopes not only that it will elevate his game and that of restaurateurs like him, but also that it will lift the whole community of Georgia cattle farmers, butchers and beef distributors, all to the benefit of diners and home cooks. Ultimately, he submits, it all comes down to an abiding impulse to create: “As a cook, I like making things from scratch.”
Of course, Hopkins doesn’t expect you as a cook to learn everything there is about beef before you shop for steak night. But he does believe you should get to know a solid butcher and rely on their expertise. “It will make your life better,” he contends. “The butcher will cut you better steak. So it’s sort of Old World that way. But I think it’s what we need more of.”
Even without the help of a butcher, you can apply a few basic standards to the steak you buy for the recipe that follows. “The look is going to be one of the first keys,” Hopkins says. One reason Kobe is prized is that it is abundantly marbled, meaning there is a good amount of fat dispersed between the muscle fibers. Look for a fairly even distribution of white bits throughout the cut, which will help it cook evenly. In a hot pan, the melting fat will both keep the meat moist and impart flavor.
“To get the right caramelization-to–internal temperature ratio,” Hopkins recommends buying steaks 1 to 1 1/2 inches thick. It’s worth noting that “where it was cut in the strip is important.” If you can have your strip steak cut to order, he suggests asking your butcher to cut it from the rib end, where the cut will be one continuous, narrow muscle. If it’s cut from the sirloin end, closer to the back of the animal, it will come as two pieces divided by a vein, which is harder to cook evenly.
The meal has supporting roles from broccoli rabe cooked with chile paste and lemon juice, as well as slowly simmered, buttery onions.
For the onions, Hopkins notes, a heavy-bottomed pan is a must; steer clear of the thin aluminum ones. “They scorch too easily; they don’t regulate heat evenly across the bottom of the surface,” he says. “I can burn water in a bad pan. And I have.”
The onions are cooked low and slow in butter. “You’re coaxing it into this golden-brown, soft, velvety fondue state.” He suggests considering the process, often called “sweating” onions, with a measure of empathy. “If it’s too high heat, you’re gonna die. But if it’s like a good sauna, you get a good sweat and it’s healthy, you know?” Ultimately, he says, “You’re purging the onions of their moisture that’s starting to blend with the butter to create this magical thing.”
How do you know if you’re doing it right? “You should be able to hear it,” he counsels. “That’s an important thing. There should be a slight little sizzling, bubbling sound.”
And how long is long enough? “Take it for a ride,” he suggests. “Take it out there and see how long you can go.” If your heat is in that perfect mellow zone, you almost can’t overdo the cook time.
For the steak, Hopkins likes to get the pan hot but not too hot before adding the meat, which he says ensures that it adheres to the pan’s surface, “getting maximum caramelization from edge to edge across the steak.” He recommends heating the pan, adding the oil and then immediately adding the meat rather than letting the oil heat as you normally might.
“I find if the oil is crazy hot and the pan’s crazy hot, I have less perfect stick,” he explains. “If the steak is cooked properly, it will release, and then that’s when you know you’re in a way done: You start seeing the cooking come up the sides of the steak.” At this point, you can flip the meat (Hopkins notes you should flip away from yourself, never toward) and baste it in butter.
What you wind up with is a very fine steak-night supper from someone who really knows his steak, even if he’s too modest to admit it. “I’m still learning,” Hopkins says. “I love that about food.”
Pairing Tip: Why a Chilean Red Works with This Dish
[videoPlayerTag videoId=”5852862790001″]
Visit our YouTube channel to watch a version of this Perfect Match video with closed captions.
For more tips on how to approach pairing this dish with wine, recommended bottlings and notes on chef Linton Hopkins’ inspiration, read the companion article, “New York Strip Steak With a Chilean Red,” in the Dec. 15, 2018, issue, via our online archives or by ordering a digital edition (Zinio or Google Play) or a back issue of the print magazine. For even more wine pairing options, WineSpectator.com members can find other recently rated South American reds in our Wine Ratings Search.
New York Strip Steak with Buttered Onions & Chile Skillet Broccoli Rabe
- 1/2 stick (4 tablespoons) plus 2 tablespoons unsalted butter, divided
- 2 cups thinly sliced sweet yellow onion, such as Vidalia
- 1 fresh bay leaf, torn in half to release flavor
- 8 stalks broccoli rabe, trimmed
- One 16-ounce New York strip steak
- 3 teaspoons kosher salt for seasoning steak, plus more
- 3 teaspoons coarsely ground black pepper for seasoning steak, plus more
- 2 tablespoons high heat–tolerant oil, such as refined peanut, canola or grapeseed oil
- 2 sprigs thyme
- 1 tablespoon olive oil
- Zest of 1 lemon
- 1 tablespoon Calabrian chile paste (or your favorite chile paste, such as Asian chile garlic sauce)
- 2 tablespoons lemon juice
1. About 1 hour before cooking, remove steak from the refrigerator.
2. Place 1/2 stick butter in a heavy-bottomed pan set over medium heat. Melt butter, cooking just until foamy; do not let it brown. Add onions, stirring to coat well with butter. Add bay leaf and cook, stirring gently, until the onions are translucent and soft. This step can be achieved in about 5 to 10 minutes, though for ultimate butter-and-onion luxury, you can go for 30 minutes. (It’s worth it, I promise!) The key to slow-cooking onions is to gently achieve a golden hue with no browning. If they start to brown, turn heat down to medium-low. Season onions with salt to taste and set aside, covered to keep warm.
3. Prepare an ice-water bath in a medium bowl and set aside. Bring a large pot of salted water to a rapid boil. Add broccoli rabe and cook until just shy of crisp-tender, about 2 minutes. Transfer immediately to ice water to chill. Drain, pat dry and set aside.
4. Season the steak generously with 3 teaspoons each salt and pepper, pressing the seasoning into the steak’s surface. Turn on the hood system and/or open a window or cooking the steak will smoke up your house. Heat a 10-inch cast-iron skillet over high until just beginning to smoke.
5. When the pan is hot, add the oil, swirling to coat, and immediately add the steak, pressing down with a spatula to ensure the entire steak is touching the hot surface. Cook for 2 minutes, then reduce heat to medium-high. You are looking and listening for a strong sizzle. Cook for another 2 minutes, then carefully flip the steak. Smear remaining 2 tablespoons butter across top of steak, and top with the thyme sprigs.
6. As the steak cooks and the butter begins to melt, spoon the hot pan juices over the top of the steak. The butter should be dark. As the hot fat bastes the thyme, it will sizzle vigorously, so stand back to avoid splatters. If thyme sizzles too vigorously, reduce heat to medium.
7. Cook until the meat feels like it is just beginning to tighten, about 3 to 5 minutes, or until an instant-read thermometer inserted into the steak reads 135 F for medium-rare. Transfer steak to a meat board and let rest, tented with aluminum foil. Carefully drain the drippings from the skillet and discard.
8. Heat the steak pan over high. Add olive oil, and when it shimmers, add broccoli rabe and press into a single layer. Cook until the bottom starts to brown, 1 to 2 minutes. Add the lemon zest and chile paste and stir to combine. Add lemon juice, season with salt and pepper to taste, and remove from heat.
9. Cut the steak into 1/2-inch-thick or 1-inch-thick slices across the grain. If steak is particularly wide, slice crosswise as well, if desired. Divide the steak, broccoli rabe and melted onions among two plates. Serves 2.