In her filmmaking debut, “Past Lives,” Korean-Canadian playwright Celine Song draws from her own experience of reuniting with a childhood friend after decades apart.
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Author: Alexi Horowitz-Ghazi
Entertainment is a form of activity that holds the attention and interest of an audience, or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience’s attention.[1]
The arts represent an outlet of expression that is usually influenced by culture and which in turn helps to change culture. As such, the arts are a physical manifestation of the internal creative impulse.
In her filmmaking debut, “Past Lives,” Korean-Canadian playwright Celine Song draws from her own experience of reuniting with a childhood friend after decades apart.
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Author: Alexi Horowitz-Ghazi
NPR’s Ayesha Rascoe talks with filmmaker Rachel Fleit about her new documentary “Bama Rush,” which follows four young women who hope to join sororities at the University of Alabama.
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Author: Ayesha Rascoe
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Author: Kathryn Kvas
We continue our look back at 25 years of shows, with Keegan Michael-Key, Regina King and Susan Orlean.
(Image credit: Frazer Harrison/Getty Images)
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NPR’s Scott Simon speaks with McKenzie Kimball, director of a very quirky tradition in Fruita, CO – the “Mike the Headless Chicken Festival.”
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Author: Scott Simon
NPR’s Scott Simon reflects on the benefits of including more swear words in our language, which studies say may be associated with signs of intelligence.
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Author: Scott Simon
How is the writers’ strike, entering its second month, affecting content on broadcast and streaming platforms? NPR’s Scott Simon speaks with Lesley Goldberg of The Hollywood Reporter.
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Author: Scott Simon
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Author: Darrin Bell
Filmmaker Michael Kirk examines the “ambition and revenge” driving Thomas. Kevin Whitehead reviews Arturo O’Farrill’s Legacies. Theresa MacPhail explores rising allergy rates in her book Allergic.
(Image credit: Getty Images)
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Producers have been saying for years that large Broadway orchestras are not financially feasible. In fact, the issue led to a strike 20 years ago. So why are some shows bringing them back?
(Image credit: Matthew Murphy and Evan Zimmerman/Sweeney Todd)
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Author: Jeff Lunden