The 2019 Ducati Scrambler Icon Is a Retro-Inspired Modern Classic

When Ducati first introduced the Scrambler Icon in 2014, not even the Italian moto maker could have imagined they’d have such a hit on their hands. The retro look, smaller frame, narrow tank and more upright riding position paired with the 803cc L-Twin engine was impressive. 

The Scrambler isn’t going anywhere—Ducati sold more than 55,000 of them in just five years. The 2019 model tweaks, without truly changing, the Scrambler Icon’s successful formula.

The biggest modifications made to the 2019 model are minor and almost entirely aimed at safety. First and foremost, is the addition of Bosche’s cornering anti-lock braking system that was first trotted out in the Scrambler 1100. 

The new system makes for better brake distribution, yielding smoother braking and minimizing the rider’s chances of losing control. It’s a feature normally found in much more expensive bikes and it’s nice to see Ducati’s concern with safety making it across the product line.

Other new safety measures include LED daytime running lights, LED brake lights and self-cancelling turn signals. Most of these are long overdue but it’s still easy to be happy about seeing them make it into the Scrambler Icon’s 2019 design.

Beyond safety, the Icon gets a boost in comfort for 2019. There’s an optional phone-pairing multimedia system which marks an acknowledgment by Ducati that riders want their smartphones—for music, for calls, for GPS—on their bikes. A seat redesign (it’s still a banana) and other detail adjustments like adjustable cabling for the brake handle and a switch to a hydraulic pull on the clutch round out the boosts. They add up to the pleasing conclusion that Ducati is finally perfecting the Scrambler Icon now that they’ve had four previous iterations to lock down (and how!) the essentials of this bike.

Starting under $10k, the 2019 Scrambler Icon is one of the easiest entry points for someone looking to join the Ducati family. Dealers are beginning to arrange test drives and new and old riders alike will have no trouble admitting that, while the Scrambler Icon may not boast the break-neck performance of so many other Ducatis, it’s still a damn fun little bike. 

Chef Talk: Chantel Dartnall’s South African Wine and Food Fantasia (Wine Spectator)

In 2006, chef Chantel Dartnall opened Restaurant Mosaic at her family’s Orient Hotel on a nature reserve outside Pretoria in South Africa’s Crocodile River Valley as a showcase for the European techniques and cuisine she had honed in Michelin-starred kitchens in the United Kingdom. But her surroundings—nearly 700 acres of “the most pristine nature you can imagine” in the Francolin Conservancy—soon became a guiding inspiration. She now defines her approach as “botanical cuisine—to feature Mother Nature on a plate, where each dish is designed to reflect the beauty, balance, harmony and purity that you find in nature.”

That harmony extends to wine selections and pairings. Dartnall, 38, runs the restaurant with her father, Cobus Du Plessis, and mother, Mari Dartnall, the wine director and general manager, respectively. The family takes pride in showing off local Cape wines, which comprise some 60 percent of Mosaic’s cellar. With 6,000 selections and 75,000 bottles of inventory, Mosaic has one of the most extensive programs in Wine Spectator‘s Restaurant Awards program, earning our highest honor, the Grand Award, in 2018; the list also has exceptional reserves of Burgundy, Bordeaux and Champagne (the Jacquart Brut Mosaïque is a current favorite), as well as depth in Italy, Portugal, Germany and Spain. Every year, Dartnall, her family and her wine team make trips to vineyards and cellars in different parts of the world to shop for wine. Then, to complete the pairings, “we visit the markets, and that is how the influences and the flavors and the inspiration of those countries come together in dishes.”

Dylan Swart

The dish “Francolin’s Forest Fungi” is Chantel Dartnell’s wild mushroom and black truffle risotto.

Dartnall began cooking at a young age, attending culinary school and then working with Paul Rhodes at Chez Nico at Ninety Park Lane in London, and British chef Michael Caines. When she returned home to South Africa, Dartnall’s cuisine blossomed into something melding Western and Eastern influences with backyard ingredients. Dartnall spoke to editorial assistant Brianne Garrett about how she develops Mosaic’s unique pairings, the dynamics of going to work every day with her immediate family and a new ongoing project that’s keeping her busy.

Wine Spectator: What inspires your cooking style and techniques at Mosaic?
Chantel Dartnall: Everyone always asks me what style of cooking I have, and the closest interpretation that I could give is that we do botanical cooking. The one reference I could give is Michel Bras in Aubrac, France. It’s a very natural, very earthy approach. In the portrayal of this philosophy and inventing these dishes, we’ve become a lot more focused on really featuring the purest elements on the plate. It is not only about capturing nature’s natural nuances, but also to focus on [improving] the experience for my guests by studying the medicinal properties of the edible herbs and flowers I include in the menu to aid in digestion, promote blood circulation and a general feeling of wellbeing. For example, fennel aids digestion and stops bloating and the hibiscus flower helps to reduce the symptoms of alcohol.

WS: What’s your approach on food-and-wine matching, and what are some favorite current pairings at Mosaic?
CD: There are a lot of local wines, because we love supporting our local industry. But when it comes to the pairing, we need to see what is in season, what is in harmony and also which of the wines in our cellar are at their optimal “drink-after” date. So we listen to winemakers at this point if they say, “You know what, my wine needs to age five years, I suggest that you pull it out of the cellar [then], retaste it and then try and see if there’s a dish that complements it.” So we take those notes into account when we do our pairings.

I think my ultimate favorite we are currently featuring is the 2013 Lismore Chardonnay from a local South African producer in Greyton, Samantha O’Keefe. It’s just the most feminine Chardonnay that you can imagine. And we’re pairing this with a dish that I call the “Francolin’s Forest Fungi”—a wild mushroom and black truffle risotto.

We’ve also got the “The Flavours of Indochine” on the menu [suckling pig, coconut curry and star anise], and we’re serving this with a Trimbach Gewürztraminer Reserve 2007, which is just really combining with those exotic oriental flavors [in the dish] and is magnificent!

WS: What’s the dynamic like working alongside your family?
CD: Everybody always says that you should not work with family, but for me I find that there’s nothing better than working with family because it’s very hard to find people that share your passion and enthusiasm, putting in all of those hours just because they have the same goal. So my mom is with me every single day, she’s on the floor as my maître d. A very, very large portion of what happens overall, including the maintenance of the garden, everything is her hand.

Cobus, my dad, is the mastermind behind all of the design, including the architecture, the wine cellar. I think what makes us special is that everybody that comes through the door says it literally feels like they are visiting a family home. Irrespective of the fact that it’s a fine dining establishment, it’s a comfortable and welcoming environment.

Most of my staff has also been with us every since we opened the restaurant and they’ve come with us the entire journey. Moses Magwaza, our sommelier, initially started as our gardener, and he is in the final processes of his [sommelier] examinations.

WS: Are you working on any exciting projects heading into 2019?
CD: I am also happy to say that I am having a lot of fun working on my cookbook. It’s a rather lengthy prospect and the aim is to release toward the end of 2020, when Restaurant Mosaic celebrates our 15th birthday. One version is all hand-bound and will be filled with real pressed flowers and leaves with hand-written recipes. So this is a long-term project.


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Facebook is dominating the Stories format

Facebook released updated daily active user counts for Stories on Facebook and Messenger today, and the news isn’t great for Snapchat. The company said at an event in New York City today that it now has a combined 300 million daily users across the two services. Liz Keneski, user experience research manager at Facebook, tells The Verge this combined number doesn’t account for double dipping, so a user who posts the same thing on Messenger and Facebook Stories is only counted as one user, not two. (Whenever a story is posted to Messenger it automatically populates on that user’s Facebook page.)

It’s unclear whether most users are accessing Stories through the Messenger or Facebook app, but the company did say in May that Facebook Stories h…

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FCC passes order limiting cities’ review of 5G deployment

The Federal Communications Commission will soon require cities to quickly approve or deny wireless carriers’ requests to deploy 5G cell installations. While the goal of rapidly deploying 5G is widely shared, the FCC’s approach here has come under criticism, particularly from cities. The measure constrains the time cities have to review deployment requests, while also limiting them from taking into account issues like whether the installation will take place at a historical landmark.

The new rules passed with support from all four FCC commissioner’s today, with the agency’s sole Democrat, Jessica Rosenworcel, also dissenting in part. Rosenworcel said the requirements would “run roughshod over state and local authority” and “[tell] state…

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