Bong Joon-ho’s film about families, class and keeping secrets won best picture. It’s the first time a film in a language other than English has won the top prize.
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Author: Linda Holmes
Bong Joon-ho’s film about families, class and keeping secrets won best picture. It’s the first time a film in a language other than English has won the top prize.
(Image credit: Kevin Winter/Getty Images)
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Author: Linda Holmes
Chinese filmmakers began making movies about the lives of the Chinese in America since World War I. And there’s a direct line from them to some of Sunday’s critically acclaimed Chinese American films.
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Author: Karen Grigsby Bates
When media called him one of the only actors of color nominated for an Oscar, many Spaniards mocked the term or got angry.
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Author: Lucía Benavides
Jerome and Jarrett Pumphrey have worked together on creative projects since they were kids. Their new book — illustrated with 250+ stamps — is about family, farm life, determination and hard work.
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Author: Samantha Balaban
The very earliest movies were all long takes, but the immersive minimalism of one-shot films carry extra appeal in an era of congested platforms and CGI overload.
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Author: Neda Ulaby
Tola Rotimi Abraham’s wrenching novel follows a four young children in Lagos, Nigeria, whose comfortable life is blown apart when their mother loses her job, and their father abandons them.
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Author: Gabino Iglesias
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Author: AJ DiCosimo, Jess Faulstich
This year’s best picture race doesn’t have as clear a frontrunner as it sometimes has. But just as Moonlight came through on a shocker of an evening in 2017, Parasite might pull it off this year.
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Author: Linda Holmes
Steven Bognar and Julia Reichert’s documentary centers on a Chinese-run factory in Ohio. Justin Chang reviews Beanpole. Eilene Zimmerman writes about her ex-husband’s drug-related death in Smacked.
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We’ll ask the Pulitzer prize winner three questions about warnings — including some odd travel guidance, a weird weather heads up, and an unexpected language advisory.
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