No matter how Watchmen ends, it’s already done more than enough

It was the Rorschach mask in the glove box that sold me. Watchmen, HBO’s sequel / reinvention of the comic of the same name by Dave Gibbons and Alan Moore, came out the gate swinging with a prologue set during the 1921 Tulsa race riot. But it was the next scene that got me fully on board, one that showed that Rorschach, the original comic’s most popular character, was a hero to white supremacists. It felt transgressive but also right — and then I flipped back to the comic and you know what? It was right. The TV Watchmen sold me on its relevance by resurfacing something incredibly obvious about its source material that years of fan culture had scrubbed away, mostly because the character looked cool.

Continue reading…

8 new trailers you should watch this week

Image: Warner Bros.

I recently saw Motherless Brooklyn, Edward Norton’s adaptation of the two-decade-old Jonathan Lethem novel about a private investigator with Tourette syndrome. I’ve never read the book, but from what I gather, the movie is an almost complete departure from the text outside of its core conceit.

Departing from the book isn’t necessarily a bad thing. Norton’s instinct to play up the noir elements makes for a fun, slapstick twist on the genre at points, and 1950s New York is a lot of fun to explore.

But the movie also feels a little hollowed out. Norton basically jams a tour through The Power Broker (the famously thorough 1975 biography of Robert Moses, which has nothing to do with Motherless Brooklyn) into the core of his adaptation,…

Continue reading…

Senate Recognizes Armenian Genocide

In a move likely to infuriate the Turkish government, the Senate passed a bipartisan resolution led by Ted Cruz (R-TX) and Bob Menendez (D-NJ) recognizing the Armenian Genocide that began more than a century ago, with Cruz stating that the resolution was “an achievement for truth, an achievement for speaking the truth…

Read more…